{"title":"Cinema","description":"","products":[{"product_id":"accidentally-wes-anderson","title":"Accidentally Wes Anderson","description":"\u003cp\u003eAccidentally Wes Anderson began as a travel bucket list, a catalog of visually striking and historically unique destinations that capture the imagined worlds of Wes Anderson.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNow, inspired by a community of nearly two million Adventurers, Accidentally Wes Anderson tells the stories behind more than 200 of the most beautiful, idiosyncratic, and interesting places on Earth. This book, authorized by Wes Anderson himself, travels to every continent and into your own backyard to identify quirky landmarks and undiscovered gems: places you may have passed by, some you always wanted to explore, and many you never knew existed.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eFueled by a vision for distinctive design, stunning photography, and unexpected narratives, Accidentally Wes Anderson is a passport to inspiration and adventure. Perfect for modern travelers and fans of Wes Anderson's distinctive aesthetic, this is an invitation to see your world through a different lens.\u003c\/p\u003e","brand":"Voracious","offers":[{"title":"Default Title","offer_id":41995708792880,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504251505_2c23f924-2ec3-4442-b00d-d8d0e0c6da76.jpg?v=1745689852"},{"product_id":"the-third-life-of-agnes-varda","title":"The Third Life of Agnès Varda","description":"\u003cp\u003eAgnès Varda (1928–2019) explored various mediums throughout her lifetime, moving from photography to film to multimedia installation. Despite Varda’s highly revered status globally, her third creative period is not widely known. The Third Life of Agnès Varda, published in conjunction with an exhibition at Silent Green in Berlin, pays homage to this underexplored period, which began in 2003 at the Venice Biennale. After this first installation, Patatutopia, Varda dove head first into the medium, producing genre-bending installations throughout her final years that engaged her poetic, abstract realism and her sensitive observations of sociopolitical issues. \u2028The Third Life of Agnès Varda features ample installation shots and texts by the artist, in addition to film stills, personal photographs and an interview between Varda and curator Philippe Pigue.\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42027312021552,"sku":"9783959056113","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202507251326.png?v=1752252208"},{"product_id":"andrey-tarkovsky-life-and-work-film-by-film-stills-polaroids-writings","title":"Andrey Tarkovsky: Life and Work: Film by Film, Stills, Polaroids \u0026 Writings","description":"\u003cp\u003eBetween 1962 and 1986, Andrey Tarkovsky (1932–86) directed seven feature-length films, all acclaimed as masterpieces of cinema: Ivan's Childhood, Andrei Rublev, Solaris, Mirror, Stalker, Nostalgia and Sacrifice. Evading censorship and mounting pressure by Soviet authorities, Tarkovsky decided not to return to the Soviet Union after completing Nostalgia in Tuscany, three years before his death; his final film, Sacrifice, was shot in Sweden in 1985.\u2028This new smaller-format edition of a 2012 publication was compiled and edited by Tarkovsky's son Andrey Jr., along with film historian and critic Hans-Joachim Schlegel and Lothar Schirmer. Beautifully designed and printed, Andrey Tarkovsky: Life and Work pays homage to a great visionary who produced poetic and sometimes disturbing images of near biblical intensity through his films. Featuring stills from each of his films, a selection of his influential writings, private photographs from the family album, as well as Polaroids from Russia and Italy, it is buttressed with comments from prominent voices who have commented on Tarkovsky's work and personality, including Jean-Paul Sartre, Ingmar Bergman and Aleksandr Sokurov.\u003c\/p\u003e","brand":"Schirmer\/Mosel","offers":[{"title":"Default Title","offer_id":42095722070064,"sku":"9783829608114","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504271101.jpg?v=1750220464"},{"product_id":"fassbinder-thousands-of-mirrors","title":"Fassbinder Thousands of Mirrors","description":"\u003cp\u003eMelodrama, biography, cold war thriller, drug memoir, essay in fragments, and mystery, Thousands of Mirrors is cult critic Ian Penman’s long-awaited first full-length book: a kaleidoscopic study of Rainer Werner Fassbinder. Written over a short period \"in the spirit\" of RWF, who would often get films made in a matter of weeks or months, Thousands of Mirrors presents the filmmaker as Penman’s equivalent of what Baudelaire was to Benjamin: an urban poet in the turbulent, seeds-sown, messy era just before everything changed. Beautifully written and extraordinarily compelling, echoing the fragmentary works of Roland Barthes and Emil Cioran, Eduardo Galeano and Alexander Kluge, this story has everything: sex, drugs, art, the city, cinema, and revolution.\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":42095722528816,"sku":"9781635901887","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504271109_2.jpg?v=1749190882"},{"product_id":"no-more-cest-tout","title":"No More \/ C'est Tout","description":"\u003cp\u003eSex, and death. All of Marguerite Duras's writings are suffused with the certitude that absolute love is both necessary (sex) and impossible to achieve (death). But no book of hers embodies this idea so powerfully, so excessively, as No More (C'est Tout), the book she composed during the last year of her life until just days before her death.\u003c\/p\u003e\n\n\u003cp\u003eNo More (C'est Tout) is literature shorn of all its niceties, a shout from the depths of Duras's being, celebrating life in defiance of the death she knew had already entered her immediate future. In part, it is also Duras' raucous salutation welcoming death. No More is a collection as pure as poetry and her words and ideas recirculate in hypnotic fits of lucidity, desperation, and noise, but the overall effect is both unsettling and, at times, piercingly true.\u003c\/p\u003e","brand":"Seven Stories Press","offers":[{"title":"Default Title","offer_id":42095723085872,"sku":"9781644212394","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504271109_3.jpg?v=1749190660"},{"product_id":"agnes-varda-directors-inspiration","title":"Agnés Varda: Director's Inspiration","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eA visual tribute to Agnès Varda’s three lives as a photographer, filmmaker and artist, with previously unseen archival materials, texts and personal reflections from Jane Birkin, Martin Scorsese, JR and more\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrench filmmaker Agnès Varda was a trailblazer who broke new artistic and cinematic ground for nearly seven decades. Although closely associated with the French New Wave, Varda established her groundbreaking visual style in her 1955 debut film \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLa Pointe Courte\u003c\/span\u003e\u003cspan\u003e, well before other milestones such as François Truffaut’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe 400 Blows\u003c\/span\u003e\u003cspan\u003e and Jean-Luc Godard’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBreathless\u003c\/span\u003e\u003cspan\u003e. Varda impacted cinema from her first feature film through her final works, with an expansive oeuvre that includes \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eCleo from 5 to 7\u003c\/span\u003e\u003cspan\u003e (1962), \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eVagabond\u003c\/span\u003e\u003cspan\u003e (1985) and the Academy Award–nominated \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eFaces Places\u003c\/span\u003e\u003cspan\u003e (2017).\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAgnès Varda: Director’s Inspiration\u003c\/span\u003e\u003cspan\u003e presents the first English-language visual showcase for Varda’s inspirations, art and personal life, incorporating original materials from her personal archive on rue Daguerre. The book covers Varda’s \"three lives\"―as photographer, filmmaker and visual artist―and features a previously unpublished interview Varda gave to the Academy of Motion Picture Arts and Sciences on the eve of receiving her Honorary Oscar in 2017. Essays by author Sasha Archibald and film critic Peter Debruge examine facets of Varda’s creative lives, and personal reflections by friends and colleagues illustrate what it was like to collaborate with and be inspired by Varda.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eAgnès Varda\u003c\/span\u003e\u003cspan\u003e (1928–2019) was a French filmmaker, photographer and visual artist, sometimes called the grandmother of the French New Wave. In 2018, her film with the French photographer and muralist known as JR, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eFaces Places\u003c\/span\u003e\u003cspan\u003e, received an Academy Award nomination for Best Documentary Feature, and that same year she received an honorary Academy Award for lifetime achievement.\u003c\/span\u003e\u003c\/p\u003e","brand":"DelMonico Books\/Academy Museum of Motion Pictures","offers":[{"title":"Default Title","offer_id":42178947547184,"sku":null,"price":39.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202506151454_1.png?v=1754775239"},{"product_id":"chantal-akerman-afterlives","title":"Chantal Akerman: Afterlives","description":"\u003cp\u003eChantal Akerman was one of the most significant directors of our times. A radical innovator of cinematic forms, she was at the forefront of feminist and women's filmmaking. In the 1990s, she developed an important installation practice and began to experiment with self-writing.\u003c\/p\u003e\n\u003cp\u003eFocusing on Akerman's works of the last two decades, a period during which she diversified her creative practice, this collection traces her artistic trajectory across different media. From her documentaries 'bordering on fiction' to her final installation, \u003cem\u003eNOW\u003c\/em\u003e, the volume elucidates the thematic and aesthetic concerns of the later works, placing particular emphasis on self-portraiture, the exploration of intimacy, and the treatment of trauma, memory and exile. It also attends to the aural and visual textures that underpin her art. Drawing on a wide range of theoretical approaches as well as engaging more creatively with Akerman's work, the essays provide a new optic for understanding this deeply personal, prescient oeuvre.\u003c\/p\u003e\n\u003cp\u003eMarion Schmid is Professor of French Literature and Film at the University of Edinburgh. Emma Wilson is Professor of French Literature and the Visual Arts at the University of Cambridge.\u003c\/p\u003e","brand":"Legenda","offers":[{"title":"Default Title","offer_id":42223941648432,"sku":null,"price":15.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202506182119_2.png?v=1754255312"},{"product_id":"i-had-nowhere-to-go","title":"I Had Nowhere to Go","description":"\u003cp class=\"a-text-bold\"\u003e\u003cspan class=\"a-text-bold\"\u003eLegendary filmmaker Jonas Mekas actually came to filmmaking relatively late in life, and his path to New York was a difficult one. In 1944, Mekas and his younger brother Adolfas had to flee Lithuania. They were interned for eight months in a labor camp in Elmshorn. Even after the war ended, Mekas was prevented from returning to his native Lithuania by the Soviet occupation. Classed as a “displaced person,” he lived in DP camps in Wiesbaden and Kassel for years. It was only at the end of 1949 that Jonas and Aldolfas Mekas finally found their way to New York City.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"a-text-bold\"\u003e\u003cspan class=\"a-text-bold\"\u003eA new edition of Mekas’ acclaimed memoir, first published by Black Thistle Press in 1991, \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eI Had Nowhere to Go\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e tells the story of the artist’s survival in the camps and his first years as a young Lithuanian immigrant in New York City. Mekas’ memoir―the inspiration for a 2016 biopic by Douglas Gordon―tells the story of how an individual life can move through the larger 20th-century narratives of war and exile and tentatively put down new roots. In the words of Phillip Lopate, “This is a lyrical, essential spiritual anthropology.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42236032188464,"sku":null,"price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202505171820_4.jpg?v=1754777711"},{"product_id":"victor-erice-y-el-cine-poetico","title":"Víctor Erice y el cine poético","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLa agitación intelectual que provocó el “giro lingüístico” durante la segunda mitad del s. XX y la radicalización política que culminó en los movimientos revolucionarios de 1968 suscitaron entre diversos creadores la urgente necesidad de buscar un lenguaje más acorde con la mentalidad progresista de la época. Así se produjo, en el terreno cinematográfico, el renacimiento del llamado “cine poético”; un tipo de cine que tuvo un notable desarrollo a principio del siglo XX, en la etapa del cine mudo, pero que fue eclipsado a partir de los años treinta por el cine clásico norteamericano. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEn este libro se explica el proceso político e intelectual que desembocó en la eclosión del “cine poético” en los años sesenta y setenta del s. XX; y cómo dicho proceso influyó en la poética cinematográfica de Víctor Erice.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blank Forms Editions","offers":[{"title":"Default Title","offer_id":42236034940976,"sku":null,"price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202506182119_3.png?v=1754777678"},{"product_id":"el-ultimo-sueno","title":"El último sueño","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eEl libro más personal de Pedro Almodóvar: un autorretrato articulado en doce relatos que revelan su pasión secreta por la escritura\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e«Un libro de hallazgos. Que Almodovar era un gran escritor ya lo sabía, sólo hacía falta descubrir desde cuando. De la infancia hasta anteayer, su escritura nos lleva de la mano por un bosque sorprendente. Nacer al revés, (al final), y vivir para atrás es sólo uno de sus talentos. Hay más, avanzar también como un tranvía (de deseo). Al leer estos relatos uno no sabe si ha sido invitado a su cabeza o a su alma. En cualquier caso, es un regalo. Y una dulce intromisión».—\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eRay Loriga\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e«Este libro es lo más parecido a una autobiografía fragmentada. [...] El lector acabará obteniendo la máxima información de mí como cineasta, como fabulador y el modo en que mi vida hace que una cosa y las otras se mezclen». Así define el autor este volumen, en una brillante introducción que sirve también de puesta en perspectiva: los doce relatos que lo componen abarcan varias épocas, desde finales de la década de los sesenta hasta la actualidad, y en ellos se reflejan algunas de sus obsesiones más íntimas, además de su evolución como artista. Los oscuros años escolares, la influencia de la ficción en la vida, los efectos inesperados del azar, la sofisticación del humor, los inconvenientes de la fama, la fascinación por los libros o la experimentación con los géneros narrativos son algunos de los temas que pueblan este libro imprescindible, que contiene múltiples capas de lectura.\u003c\/span\u003e\u003c\/p\u003e","brand":"Reservoir Books","offers":[{"title":"Default Title","offer_id":42263773446192,"sku":null,"price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_25.png?v=1755659892"},{"product_id":"recurrente-paja-mental","title":"Recurrente paja mental","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUn fanzine inspirado en la película 𝝅 de Darren Aronofsky. Temas en la peli son recurrentes en mi vida como la obsesión, el pánico y los diálogos fantásticos que tienen la asamblea de mi cabeza.\u003c\/span\u003e\u003c\/p\u003e","brand":"Malamaña","offers":[{"title":"Default Title","offer_id":42521098027056,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_131.png?v=1761870218"},{"product_id":"feminism-and-the-cinema-of-experience","title":"Feminism and the Cinema of Experience","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFrom popular films like Greta Gerwig’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBarbie\u003c\/span\u003e\u003cspan\u003e (2023) to Chantal Akerman’s avant-garde classic \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJeanne Dielman\u003c\/span\u003e\u003cspan\u003e (1975), feminist cinema can provoke discomfort. Ambivalence, stasis, horror, cringe—these and other affects refuse the resolution of feeling good or bad, leaving viewers questioning and disoriented. In \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eFeminism and the Cinema of Experience\u003c\/span\u003e\u003cspan\u003e, Lori Jo Marso examines how filmmakers scramble our senses to open up space for encountering and examining the political conditions of patriarchy, racism, and existential anxiety. Building on Akerman’s cinematic lexicon and Simone de Beauvoir’s phenomenological attention to the lives of girls and women, Marso analyzes film and television by directors ranging from Akerman, Gerwig, Mati Diop, Catherine Breillat, and Joey Soloway to Emerald Fennell, Michaela Coel, Audrey Diwan, Alice Diop, and Julia Ducournau. Through their innovative and intentional uses of camera, sound, editing, and new forms of narrative, these directors use discomfort in order to invite viewers to feel like feminists and to sense the possibility of freedom.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University","offers":[{"title":"Default Title","offer_id":42593331642416,"sku":null,"price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/CR_35.jpg?v=1764364276"},{"product_id":"cinema-of-crushing-motherhood-a-new-feminist-cinema","title":"Cinema of Crushing Motherhood A New Feminist Cinema","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eTwenty-first-century contemporary films like Emily Atef’s \u003c\/span\u003e\u003ci\u003eDas Fremde in mir\u003c\/i\u003e\u003cspan\u003e and Savannah Leaf’s \u003c\/span\u003e\u003ci\u003eEarth Mama\u003c\/i\u003e\u003cspan\u003e portray motherhood as a source of regret, exhaustion, rage, shame, guilt, and disgust. Olivia Landry analyzes this new feminist cinema and the ways it embraces and explores the crushing burden of mothering children.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLandry surveys films released in North America, Europe, and Australia over a period beginning in 2007. As she shows, revelation and the expression of negative feelings upend the traditional image of the perfect, self-sacrificial, and happy mother. Landry tracks how radical positions like maternal regret and family abolition have replaced age-old tropes while also going beyond portrayals of maternal ambivalence. Her feminist method casts off psychoanalysis and renounces pathological approaches to motherhood to show how a generation of filmmakers have insisted on the subjective position and experience of the mother rather than that of the child.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBold and cutting-edge, \u003c\/span\u003e\u003ci\u003eCinema of Crushing Motherhood\u003c\/i\u003e\u003cspan\u003e looks at taboo-breaking films and illuminates the emotions and affects that make them so powerful.\u003c\/span\u003e\u003c\/p\u003e","brand":"University of Illinois Press","offers":[{"title":"Default Title","offer_id":42613750267952,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/CR_49.jpg?v=1764790566"},{"product_id":"filmar-lo-que-no-se-ve-filmar-lo-invisible-una-manera-de-hacer-documentales","title":"Filmar lo que no se ve. Filmar lo invisible. Una manera de hacer documentales","description":"\u003cblockquote\u003e\n\u003cp\u003e«La vida, la existencia, la realidad, están formadas por miles de pequeños “átomos” dramáticos que pasan delante de nosotros y nos miran de reojo...»\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSiguiendo la reflexión de Patricio Guzmán, los átomos son la materia del acto creativo y ellos están aquí o un poco más allá, conviven a diario con nosotros, sueltos, desconectados; pero en algún momento se nos hacen visibles con mayor nitidez, se juntan, se ordenan, y se configuran para construir un relato que se ha de transformar en una historia, y allí está el ojo, el oído, la intuición y el trabajo del creador.\u003c\/p\u003e\n\u003cp\u003eEste libro ha sido concebido como un Manual en torno al proceso que sigue la realización de un documental. No solo es un manual práctico, sino que es también la ruta por la que transita el autor, desde cómo enfrentar esos pequeños “átomos dramáticos”, es decir la realidad, hasta la mezcla final del sonido, y más.\u003c\/p\u003e\n\u003cp\u003eEl texto surge a partir de las clases que Guzmán viene realizando desde 1983, lo que le\u003cbr\u003eha permitido reflexionar en torno a su quehacer y compartir esa experiencia, la que de\u003cbr\u003ealgún modo siempre es algo nuevo, porque en ella no deja de experimentar, de buscar\u003cbr\u003ela manera singular de comunicar. Y esta singularidad está asociada con el lugar que el\u003cbr\u003edocumentalista asume para crear:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e«Mis ideas se apoyan en el cine de autor, es decir, en los cineastas independientes. Nuestra aspiración nace de la subjetividad. Fabricamos obras porque nos empuja una visión poética del mundo. Somos libres y nos movemos en el ámbito del instinto».\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eEste Manual se expande más allá de las orientaciones de cómo hacer cine-documental. Las secciones Sinopsis, Artículos y Reseñas van a completar el cuadro; ellas dan cuenta de una manera de analizar, de recordar, de mirar y ser en el mundo, de pensar la realidad y el relato literario y visual. Es así como este libro «habla del corazón de un filme y también habla de lo que hay más abajo: los ladrillos, la materia, los átomos, los sonidos, que dan vida a una obra».\u003c\/p\u003e","brand":"LOM Ediciones","offers":[{"title":"Default Title","offer_id":42927948955696,"sku":null,"price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_381.png?v=1775932850"},{"product_id":"y-tu-mama-tambien-queer-film-classics","title":"Y Tu Mamá También (Queer Film Classics)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA classic of New Mexican Cinema, \"\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eY Tu Mamá También\"\u003c\/span\u003e\u003cspan\u003e courted controversy with its explicit depictions of teenage sexuality and its forthright perspective on the country’s inequality. The cinematic sensation gained international accolades for its mixing of genres and film styles and inspired a wide body of writing from both critics and scholars. The multimedia lives of Y Tu Mamá También (especially in music, music videos, and social media) have kept the film relevant for audiences too young to have seen it when it debuted.\u003cbr\u003e\u003cbr\u003eJuan Llamas-Rodriguez revisits \"\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eY Tu Mamá También\"\u003c\/span\u003e\u003cspan\u003e after more than two decades of social, industrial, and technological change to show how it astutely captures a particular moment in Mexican history and film production. The film was a turning point for Mexican stardom on the world stage, and the performances and celebrity of its stars, Diego Luna and Gael García Bernal, reframed millennial Mexican masculinities. The eclectic and popular bilingual soundtrack is a focal point, read as engendering a queer listening and as an integral aspect of the film’s queering of time. Rather than being legibly classified as gay or bisexual, \"\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eY Tu Mamá También\"\u003c\/span\u003e\u003cspan\u003e flouts sexual mores and national stereotypes and continues to spur new forms of longing and desire among audiences today.\u003cbr\u003e\u003cbr\u003eMoving beyond heavily debated questions of identity and representation, Llamas-Rodriguez explores the waves of reception, scholarship, celebrity culture, and social media content around \"\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eY Tu Mamá También\"\u003c\/span\u003e\u003cspan\u003e that have shaped its queer legacy, and the circuits of influence that enliven global cinema across media and national borders.\u003c\/span\u003e\u003c\/p\u003e","brand":"McGill-Queen's University Press","offers":[{"title":"Default Title","offer_id":43248799416368,"sku":null,"price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_434.png?v=1780187827"},{"product_id":"reflexiones-sobre-cine","title":"Reflexiones sobre cine","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eExisten dos caminos que permiten al cine evocar la singularidad de lo real: el de lo fantástico, ya explorado con éxito por algunos raros cineastas; y otro, en lo sustancial aún por venir, que yo llamaría el realismo integral –es decir, un realismo sin ninguna relación con los films catalogados como realistas o neorrealistas, sino más bien con el estilo que han ensayado cineastas como Robert Flaherty, o en la actualidad Jean-Luc Godard. A estos dos caminos –que por otra parte son complementarios y en el fondo apuntan al mismo resultado– se reduce probablemente la credibilidad del cine, es decir su porvenir en tanto que arte. Antonin Artaud lo predecía ya en 1949: “El cine se acercará más y más a lo fantástico –ese fantástico que de manera creciente se percibe que es, en verdad, todo lo real– o de lo contrario no vivirá”.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374835433520,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_474.png?v=1783356643"},{"product_id":"cine-y-experiencia","title":"Cine y experiencia","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Esta política de la inervación que he intentado plantear en Benjamin supone una comprensión del cine como una forma de experiencia estética, sensorial y psicosomática directamente relacionada con los desafíos y los perjuicios que trae consigo la modernidad industrial capitalista. La gran promesa del cine residía en que este nuevo medio le permitiera al sensorio humano alterado por la técnica acceder a una forma de reflexión contemporánea, material y colectiva que no supusiera una renuncia a las dimensiones miméticas y temporales de la experiencia (que la historia ha convertido en un fenómeno individual). En esta encrucijada, el cine parecía ser la única institución capaz de vincular las evoluciones antinómicas de la modernidad y así arrancarlas de su rumbo catastrófico; es decir, en vez de continuar y profundizar la espiral de shock, anestética y estetización, el nuevo medio tenía la posibilidad de trabajar para desarticular la violencia mortal que había liberado la técnica capitalista e incluso de ser revolucionario, cuanto menos como una 'medida puramente preventiva que intentara evitar lo peor'. Mientras que la mirada de Medusa de la cámara está ligada al vuelo hacia atrás del ángel de la historia, el ratón Mickey encarna la posibilidad de enfrentar esa mirada y contrarrestarla por medio de juegos apotropaicos de inervación.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374840348720,"sku":null,"price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_469.png?v=1783198899"},{"product_id":"kieslowski-por-kieslowski","title":"Kieślowski por Kieślowski","description":"\u003cp\u003eLa muerte prematura de Krzysztof Kieślowski en 1996 le robó al cine a uno de sus grandes visionarios. Los decálogos, \u003cem\u003eLa doble vida de Verónica\u003c\/em\u003e y la trilogía Tres colores le valieron su reputación como cineasta de clase mundial. Kieślowski era notoriamente reticente e incluso despectivo con su trabajo y talento, pero estas discusiones francas y detalladas muestran una pasión por el cine que animó una vida interrumpida tanto por Hitler como por Stalin y el legado que dejaron estas figuras en Europa del Este.\u003c\/p\u003e\n\u003cp\u003eMoviéndose entre Polonia y Francia, Kieślowski creó algunas de las obras cinematográficas más importantes de los años noventa.\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374841692208,"sku":null,"price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_468.png?v=1783198836"},{"product_id":"confesiones-tecnicas-y-otros-escritos-sobre-cine","title":"Confesiones técnicas y otros escritos sobre cine","description":"\u003cp\u003e“Nunca hay nada que haya sido inventado una vez y para siempre. Escribir libros o hacer films cuesta siempre un esfuerzo mortal y absolutamente desproporcionado. Las crisis dan siempre la impresión de ser definitivas y de poner todo patas para arriba. En cambio no son más que un primer paso para una serie de dolores futuros, que se repiten día a día, detalle a detalle.”\u003c\/p\u003e\n\u003cp\u003ePier Paolo Pasolini\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374845198384,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_467.png?v=1783198782"},{"product_id":"la-fabula-cinematografica","title":"La fábula cinematográfica","description":"\u003cdiv class=\"text-justify texto\"\u003e\n\u003cp\u003eLa caja televisiva no es el instrumento de “consumo masivo” que marca la muerte del gran arte. Más profundamente, más irónicamente, es el artefacto visual que suprime la distancia mimética y realiza, a su modo, el proyecto panestético del nuevo arte de la presencia sensible inmediata. Este artefacto no anula la potencia del cine sino su “impotencia”. Anula el trabajo de la contrariedad que siempre animó sus fábulas. Y la tarea del director de cine consiste en darle una vuelta de tuerca a ese juego mediante el cual la televisión “consuma” al cine. Un interminable lamento contemporáneo nos supone testigos de la muerte programada de las imágenes en el artefacto informativo y publicitario. Aquí optamos por el punto de vista opuesto: mostrar cómo el arte de las imágenes y su pensamiento no dejan de nutrirse de aquello que los contraría.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374846967856,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_466.png?v=1783198709"},{"product_id":"werner-herzog-una-guia-para-perplejos","title":"Werner Herzog: una guía para perplejos","description":"\u003cp\u003e“Un magnífico volumen de entrevistas… el presente libro brinda la oportunidad de disfrutar de extensas reflexiones de una de las mentes más fascinantes a las que tenemos la suerte de acceder de forma colectiva… Leer cómo Herzog comenta con precisión un sinnúmero de intereses y obsesiones, en tonos detallados y fluidos –que jamás caen en lo pretencioso ni en lo oscuro–, es un bálsamo para la mente... y lo convierten en un libro indispensable. Son tantos los temas que aborda que podría estar en cualquier sección de una librería, hasta –tal es su ataque al cinismo y la letargia– en la categoría de autoayuda.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374850375728,"sku":null,"price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_465.png?v=1783198528"},{"product_id":"nathalie-granger-la-mujer-del-ganges","title":"Nathalie Granger - La mujer del Ganges","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“¿Cómo filmar la ansiedad de una mirada? ¿Cómo representar en un rostro de niña la violencia que la vuelve impenetrable, intratable? Y sobre todo: ¿qué función cumpliría en un guión la secuencia no filmada, su metáfora secreta? Y sin embargo, se trata de guiones, las películas existen. Sólo que el origen de estos textos cerrados, sintéticos, adheridos a la imaginación de fantasmas que pasarán por otro lado, fuera del libro, es la escritura. Marguerite Duras escribió antes de filmar y sigue escribiendo después, agujereando más que completando lo que habrá hecho el cine, devolviendo los gestos de los actores al silencio y a la soledad de las historias que encarnaron.”  \u003c\/span\u003e\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374853324848,"sku":null,"price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_475.png?v=1783356881"},{"product_id":"la-rabia","title":"La rabia","description":"\u003cp\u003e¿Por qué nuestra vida está dominada por el descontento y por la angustia, por el miedo a la guerra, por la guerra?\u003cbr\u003ePara responder a estas preguntas escribí esta película, sin seguir un hilo cronológico, y tal vez ni siquiera lógico, sino solamente mis razones políticas y mi sentimiento poético.\u003c\/p\u003e\n\u003cp\u003ePier Paolo Pasolini\u003c\/p\u003e\n\u003cp\u003e¿Cuál es entonces la “rabia” concebida por esta película? ¿Acaso es una “rabia de poeta”, una “rabia poética”? Pasolini responde, en el contexto de su presentación de la película, que es sobre todas las cosas un “estado de urgencia” que se encuentra ante la historia.\u003c\/p\u003e\n\u003cp\u003eGeorges Didi-Huberman\u003c\/p\u003e\n\u003cp\u003eLa edición de este guión de Pasolini es un pequeño homenaje al gran intelectual italiano a cincuenta años de su cruento asesinato.\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374854701104,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_464.png?v=1783197992"},{"product_id":"duras-por-duras","title":"Duras por Duras","description":"\u003cp\u003eEsta obra recoge, por primera vez, un conjunto de entrevistas y textos  de Marguerite Duras, la mayoría inéditos o de difícil acceso, en torno a las diecinueve películas que realizó desde la década del 60 hasta finales de la década del 80. Desde \u003cem\u003eLa música\u003c\/em\u003e hasta \u003cem\u003eLos niños\u003c\/em\u003e, pasando \u003cem\u003epor India Song\u003c\/em\u003e, \u003cem\u003eEl camión\u003c\/em\u003e o \u003cem\u003eEl navío Night\u003c\/em\u003e. Duras redactó dossiers de prensa, notas de rodaje, comentarios y reflexiones sobre sus escritos, sus películas y sobre la situación del mundo y del cine. Para ella todo era escritura: una breve entrevista, el comentario de una película o novela, una obra de teatro o radiofónica, hasta el propio film.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"Que el cine se dirija a su perdición, es el único cine. Que el mundo vaya a su perdición, que se dirija a su perdición, es la única política\".\u003c\/p\u003e\n\u003cp\u003eMarguerite Duras, \u003cem\u003eEl camión\u003c\/em\u003e\u003c\/p\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374855028784,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_463.png?v=1783197892"},{"product_id":"introduccion-a-una-verdadera-historia-del-cine","title":"Introducción a una verdadera historia del cine","description":"\u003cp\u003eEn el otoño de 1978 Serge Losique, director del Conservatorio de Arte Cinematográfico de Montreal, que el año anterior había hospedado a Henri Langlois, me propuso proseguir el trabajo iniciado.\u003c\/p\u003e\n\u003cp\u003eEn vez de dar cursos como se hace hoy en todas las universidades del mundo, le propuse a Losique tomar en consideración, como si se tratase de un negocio, la coproducción del guión de una eventual serie de films titulada \u003cem\u003eIntroducción a una verdadera historia del cine y de la televisión\u003c\/em\u003e, verdadera porque estaría hecha de imágenes y sonidos y no de textos, aunque hubiese ilustraciones. Un proyecto del que ya habíamos hablado Langlois y yo.\u003c\/p\u003e\n\u003cp\u003eDe ese modo el guión fue dividido en capítulos o viajes (diez). A cada viaje agregaba un poco de mi propia historia, me sumergía en ella, al ritmo de dos films cada fin de mes, pero el agua de baño a menudo me revelaba algo distinto de cuanto registraba mi memoria, y esto derivaba del hecho de que a la mañana se proyectaban fragmentos de films que formaban parte de la historia del cine, y que en aquel momento tenían alguna relación con lo que estaba haciendo. Comentaba todo en directo, delante de tres o cuatro canadienses perdidos como yo en esta historia del cine.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"text-justify texto\"\u003e\n\u003cp\u003eJean-Luc Godard\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"heading-section\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cuenco de plata","offers":[{"title":"Default Title","offer_id":43374861811760,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_472.png?v=1783199265"},{"product_id":"david-lynch-his-work-his-world","title":"David Lynch: His Work, His World","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eAn in-depth, richly illustrated exploration of the work and life of cinema and TV’s greatest cult creator. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003e'A must for Lynch-pins.' \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e– Empire\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithout David Lynch, our world would have been a much more ordinary place. As a filmmaker, screenwriter, designer, musician, visual artist and living avatar of all things uncanny, his influence pervaded every corner of our culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlongside his game-changing TV series \"Twin Peaks\", Lynch also created big-screen masterpieces such as his DIY debut \"Eraserhead\" and unconventional mystery thrillers \"Blue Velvet\", \"Lost Highway\" and \"Mulholland Drive\". But Lynch was also a cult figure in his own right, releasing albums under his own name, staging art shows, photography exhibitions and design showcases from LA to Milan, and sharing his spiritual philosophy and love of Transcendental Meditation with audiences around the globe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003ePublished in a lavish, slip-cased edition,\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e David Lynch: His Work, His World\u003c\/span\u003e\u003cspan\u003e covers all aspects of this truly eclectic output while also exploring Lynch’s many influences to tell the full story of how he worked, created, thought and lived.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003e'A testament to the enduring impact of his [Lynch's] work and a beautiful addition to any film enthusiast's collection.'\u003c\/span\u003e\u003cspan\u003e - Horror Review, David Garrett\u003c\/span\u003e\u003c\/p\u003e","brand":"Frances Lincoln","offers":[{"title":"Default Title","offer_id":43433247342640,"sku":null,"price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_500.png?v=1784946687"},{"product_id":"pedro-almodovar-installation-instalacion","title":"Pedro Almodóvar: Installation\/Instalación","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eA visually immersive exploration of the provocative and humanistic themes at the heart of Almodóvar’s cinema\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003ePublished with Academy Museum of Motion Pictures.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003ePedro Almodóvar is one of the most daring and influential writer-directors of our time. He directed his first feature in 1980, during La Movida Madrileña (the Madrid Scene), a countercultural and democratic movement in Spain, and has been pushing boundaries for over four decades. Often outlandish and provocative, and rife with passion, Almodóvar’s 22 films to date explore the full spectrum of the human condition. In the process, they have transformed Spanish cinema and contributed invaluably to the global film scene.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePedro Almodóvar: Installation\/Instalación\u003c\/span\u003e\u003cspan\u003e accompanies an immersive exhibition created by Almodóvar for the Academy Museum of Motion Pictures in Los Angeles. Spanning 1984’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWhat Have I Done to Deserve This?\u003c\/span\u003e\u003cspan\u003e to 2019’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePain and Glory\u003c\/span\u003e\u003cspan\u003e, Almodóvar’s 12-channel film installation distills his filmography around iconic scenes and key themes including Family, Bodies, Guilt and Pain, Mothers, Musicals, Noir and Religious Education. This lush volume devotes a visual chapter to each, showcasing Almodóvar’s muses―including Victoria Abril, Antonio Banderas, Pina Bausch, Penélope Cruz, Rossy de Palma, Marisa Paredes and Julieta Serrano―and the inspiration he draws from filmmakers such as Ingmar Bergman and Luis Buñuel.\u003cbr\u003e\u003cbr\u003eThe bilingual (Spanish and English) book also features a new conversation between Almodóvar and film journalist Rachel Handler, a foreword by Tilda Swinton, texts by curators Jenny He and J. Raúl Guzmán, an afterword by Agustín Almodóvar, and a richly illustrated filmography. As bold and beautiful as Almodóvar’s films themselves, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePedro Almodóvar: Installation\/Instalación\u003c\/span\u003e\u003cspan\u003e captures the dynamic female characters, tantalizing stories, colorful humor and depth of emotion that exemplify this Academy Award–winning director’s career.\u003c\/span\u003e\u003c\/p\u003e","brand":"DelMonico Books","offers":[{"title":"Default Title","offer_id":43470895808560,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_571.png?v=1786242049"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/collections\/CR_49.jpg?v=1774458058","url":"https:\/\/casa-riel.com\/en\/collections\/on-cinema.oembed?page=2","provider":"Casa Riel","version":"1.0","type":"link"}