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To help you find what you are looking for, Flower Color Guide is the first reference book to organize flower types by color, with an emphasis on seasonality and creative color schemes - and the results are stunning in their sheer variety. What Pantone is to color, Flower Color Guide is to flowers. Showcasing 400 flowers at their peak, with stunning photography taken by Putnam \u0026amp; Putnam in their Brooklyn studio, this guide includes an appendix featuring perforated pages, with tips on flower care, notes on how to prepare vessels and a list of suggested color schemes. A great gift to give, or to have for oneself, the book speaks to the most seasoned flower enthusiasts as well as those just beginning to explore the possibilities of arranging flowers. 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Designers, curators, artists, educators, fashion practitioners, DIY home sewers, students and other creatives responded to the book’s open call with contributions that challenge how to practice fashion and reflect on its systems, politics and economics. The exercises collected in this book embrace interdisciplinarity, experimentation and aesthetics, and widen fashion’s horizons as a medium for expression, embodiment and sociality. They are gathered under the following themes: Imagining and Dreaming; Going Outside; Using the Body; Working Together; Reading and Writing; Making, Finding, Tracing; Re-viewing Images; Digging Deep; and Sourcing and Re-sourcing.\u2028Radical Fashion Exercises assembles methods for learning and practicing fashion in meaningful, radical and responsible ways. The book is an inspiring tool for design students, designers, writers and practitioners of diverse disciplines to challenge fashion as a commodity and polluting structure in these times of uncertainty and upheaval.\u2028\u003c\/p\u003e\n\u003cp\u003eContributors include: Aïcha Abbadi, Federico Antonini, Claudia Arana, Anja Aronowsky Cronberg, Stéphanie Baechler, Linnea Bågander, Laura Banfield, Anouk Beckers, Mary-Lou, Heeten Bhagat, Dinu Bodiciu, Silvia Bombardini, Chet Julius Bugter, Francesca Capone, Rachael Cassar, Dal Chodha, Lidya Chrisfens, Remie Cibis, Marieke Coppens, Lenn Cox, Eleonora De Chiara, Ashish Dhaka, Paola Di Trocchio, Andrea Eckersley, Aimilia Efthymiou, Chinouk Filique de Miranda, Nicholas Gardner, Abigail Glaum-Lathbury, Julie Gork, Kasia Zofia Gorniak, Marjanne van Helvert, Ruby Hoette, Lou Hubbard, Marie Hugsted, Sanne Karssenberg, Noorin Khamisani, Sonika Soni Khar, Jessie Kiely, Seohee Kim, Anika Kozlowski, Valerie Lange, Ulrik Martin Larsen, Maaike Lauwaert, Alice Lewis, Matthew Linde, Saul Marcadent, Marco Marino, Georgia McCorkill, Kate Meakin, Gabriele Monti, Claire Myers, Udochi Nwogu, Sanem Odabasi, Naoko Ogawa, Oluwasola Kehinde Olowo-Ake, Amanda Cumming \u0026amp; Kate Reynolds, Marco Pecorari, Anabel Poh, Eloise Rapp, Liam Revell, Harriette Richards, Nicole K. 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The legacy of these projects often depends on personal archives, and consequently \"public\" is a relative term for events that were either short-lived, held in domestic spaces or only for those in the know. 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Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries.\u003cbr\u003e\n \u003cbr\u003e\nThese divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged—even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":42027311693872,"sku":"9780262545235","price":34.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202505171820_2.jpg?v=1749185422"},{"product_id":"the-story-of-art-without-men","title":"The Story of Art Without Men","description":"\u003cp\u003eThe story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art.\u003c\/p\u003e\n\n\u003cp\u003eHow many women artists do you know? Who makes art history? 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A humble yet luminous print object that perfectly embodies the editors’ grass-roots aesthetic.” —New York Times\u003c\/p\u003e\n\n\u003cp\u003eApartamento is widely recognized as today’s most influential interiors magazine. International, well designed, and simply written since 2008, it is an indispensable resource for individuals who are passionate about the way they live. It breaks the traditional magazine boundaries that separate home design from homeowner and offers readers a glimpse inside the lived-in, often-cluttered homes of celebrities and industry legends such as REM front man Michael Stipe and indie screen queen Chloë Sevigny.\u003c\/p\u003e\n\n\u003cp\u003eWith more than 300 photographs and an eclectic mix of subjects including François Halard, Yorgos Lanthimos, Ezra Koenig, Paz de la Huerta, and more, the book is an inspiring look at individual design choices.\u003c\/p\u003e\n\n\u003cp\u003eThis is the perfect coffee table book for anyone who loves Apartamento or likes their interior design more Real World than Lifestyles of the Rich and Famous. This is a different perspective on home, design, architecture, and décor, one that’s not aimed at just the elegant and well-appointed. It’s raw, not staged, and has a vibe different than every other magazine that features homes and décor.\u003c\/p\u003e\n\n\u003cp\u003eHere is home style that everyone, young or old, rich and poor, will be able to relate to and get inspired by.\u003c\/p\u003e","brand":"Apartamento Magazine","offers":[{"title":"Default Title","offer_id":42027311759408,"sku":"9781419728921","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/20250809172765.png?v=1752122516"},{"product_id":"let-the-river-flow-an-eco-indigenous-uprising-and-its-legacies-in-art-and-politics","title":"Let the River Flow: An Eco-Indigenous Uprising and Its Legacies in Art and Politics","description":"\u003cp\u003eOn an exemplary case of Indigenous and non-Indigenous conflict and its legacies\u003cbr\u003e\nThe People’s Action against the Nordic Áltá-Guovdageaidnu Waterway (c. 1978-82) radically shook the course of history in the region. Its call to “let the river live” clamored against the construction of a large dam across the Alltáeatnu river in Norway. The action grew to an unexpectedly broad movement of solidarity across civil society―Sámi and Norwegian, as well as Indigenous and non-Indigenous peoples internationally―in which Sámi artists played a pivotal role.\u2028\u2028Let the River Flow takes this eco-Indigenous rebellion, the first in Europe and inspirational worldwide, to reflect on events at the time and their correlations with international artists’ eco actions today. It is conceived as a reader, and addresses innovations in political organizing, new influences of Indigenous thinking on contemporary politics and the centrality of artists within the constellation of these activities. It also considers other Indigenous artists’ protests that happened in parallel to the actions mentioned.\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42027311923248,"sku":"9789492095794","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202505171841_5.jpg?v=1749185346"},{"product_id":"plan-and-play-play-and-plan-defining-your-art-practice","title":"Plan and Play, Play and Plan: Defining Your Art Practice","description":"\u003cp\u003eA guidebook for artists and those aspiring to be artists\u003cbr\u003e\n\"Visual artist\" is a term with manifold variations and meanings. But how, as an artist (or designer, photographer or other \"independent creator\"), do you become who you are and who you would like to be? How can you guide your artistic practice? 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Rubin ha convertido en una práctica su impulso de ayudar a las personas para que trasciendan expectativas autoimpuestas y reconecten con un estado de inocencia en el que lo sorprendente se convierte en inevitable. A lo largo de los años, Rubin ha pensado mucho en el origen de la creatividad: de dónde viene y de dónde no, y ha aprendido que ser artista no depende tanto de un resultado en concreto, sino de cómo nos relacionamos con el mundo. La creatividad tiene un lugar en la vida de todas las personas y todos podemos hacer ese espacio más grande. 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Rather than examining physical structures that have the potential to isolate individuals, The Architecture of Loneliness takes a psychological and sociological approach to the issue of loneliness through three essays. In the first, South African psychologist Wahbie Long explains how foundational experiences during one’s childhood can affect adult relationships. French philosopher Marie José Mondzain adopts the vocabulary of architecture as a metaphor for creating an emotional “home” within which to welcome others. Lastly, French psychoanalyst Lysiane Lamantowicz discusses the contradictory effects of social media, and how these platforms for connection can increase alienation. The Architecture of Loneliness recognizes both the causes and effects of loneliness, and how to connect with others near and far.\u003cbr\u003e\nEditor Mieke Bal is a cultural theorist, critic, video artist and curator. 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\"\u003eDesign is broken. Young and not-so-young designers are becoming increasingly aware of this. Many feel impotent: they were told they had the tools to make the world a better place, but instead the world takes its toll on them. Beyond a haze of hype and bold claims lies a barren land of self-doubt and impostor syndrome. Although these ‘feels’ might be the Millennial norm, design culture reinforces them. In conferences we learn that “with great power comes great responsibility” but, when it comes to real-life clients, all they ask is to “make the logo bigger.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eThis book probes the disillusionment that permeates design. It tackles the deskilling effects provoked by digital semi-automation, the instances of ornamental politics fashioned to please the museum-educational complex, the nebulous promises of design schools. While reviving historical expressions of disenchantment, Silvio Lorusso examines present-day memes and social media rants. To depict this disheartening crisis, he crafts a new critical vocabulary for readers to build upon. What this exposé reveals is both worrying and refreshing: rather than producing a meaningful order, design might be just about inhabiting chaos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eWhat was once a promising field rooted in problem-solving has become a problem in itself. The skill set of designers appears shaky and insubstantial – their expertise is received with indifference, their know-how is trivialised by online services, their work is compromised by a series of unruly external factors. If you see yourself as a designer without qualities; if you feel cheated, disappointed or betrayed by design, this book is for you.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Set Margins' Publications","offers":[{"title":"Default Title","offer_id":42178878832688,"sku":null,"price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/20250615145411_1_9ceafc3d-d792-4b16-a311-58e8662f0b75.png?v=1754777110"},{"product_id":"the-beauty-of-everyday-things","title":"The Beauty of Everyday Things","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eThe Japanese philosopher and aesthete's definitive, hugely influential exposition of his philosophy of folkcrafts, setting out the hallmarks of Japanese design as we know it today: anonymity, quality, simplicity and honesty—and, of course, \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003ewabi-sabi\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, the beauty of imperfection\u003cbr\u003e\u003cbr\u003eA Penguin Classic\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOur lives are filled with objects. Everyday things used in everyday settings, they are our constant companions. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe—an aesthetic fulfillment of our practical needs. They should, in short, be things of beauty.\u003cbr\u003e\u003cbr\u003eLong revered as the authority on craftsmanship and Japanese aesthetics, Yanagi devoted his life and writing to defend the value of craft. In an age of feeble and ugly machine-made things, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Beauty of Everyday Things \u003c\/span\u003e\u003cspan\u003eis a call for each of us to deepen our relationship with the objects that surround us. Inspired by the work of the simple artisans Yanagi encountered on his lifelong travels through Japan and Korea, this now-classic book is a heartfelt defence of modest, honest, handcrafted objects, from traditional teacups to jars to paper—objects that exemplify the beauty of everyday things.\u003c\/span\u003e\u003c\/p\u003e","brand":"Penguin Books","offers":[{"title":"Default Title","offer_id":42178904129584,"sku":null,"price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/20250615145422_1.png?v=1754775439"},{"product_id":"frida-kahlo-sus-fotos","title":"Frida Kahlo Sus Fotos","description":"\u003cp\u003eCuando Frida Kahlo muere, Diego Rivera, marido, ex marido y viudo de Frida, le pide al poeta Carlos Pellicer que convierta la Casa Azul en un museo para que el pueblo de México pueda visitarla y admirar la obra de la artista. Pellicer seleccionó los cuadros de Frida que estaban en la casa, así como algunos dibujos, fotos, libros y cerámicas conservando los espacios tal cual los había adaptado el matrimonio para vivir y trabajar. El resto de los objetos, ropa, documentos, dibujos, cartas y más de seis mil fotografías que Frida reunió a lo largo de su vida, se guardaron en los baños convertidos en bodegas.\u003c\/p\u003e\n\u003cp\u003eEste formidable acervo estuvo oculto por más de medio siglo. Hace pocos años decidieron abrir las bodegas, armarios y baúles que lo resguardaban. El conjunto de imágenes fotográficas es un tesoro que desvela los gustos e intereses de la famosa pareja, no sólo en lo que cuentan las imágenes sino también en las anotaciones al margen, y permite especular en torno a sus fobias y atracciones. En la colección de Frida hay una lista de grandes fotógrafos: Man Ray, Brassaï, Martin Munkacsi, Pierre Verger, George Hurrel, Tina Modotti, Edward Weston, Manuel y Lola Álvarez Bravo, Gisèle Freund y muchos otros, entre ellos la propia Frida Kahlo. Es probable que ella hiciera varias de las fotos de la colección, aunque estamos seguros de su autoría sólo en unas cuantas que decidió firmar en 1929.\u003c\/p\u003e","brand":"RM\/Museo Frida Kahlo","offers":[{"title":"Default Title","offer_id":42178925887536,"sku":null,"price":59.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/20250615145421_0.png?v=1754775355"},{"product_id":"emma-kohlmann-watercolors","title":"Emma Kohlmann Watercolors","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThe first comprehensive book from the acclaimed artist, featuring a decade's worth of astonishing and intimate watercolors as well as essays by Audrey Wollen, L.D. Deutsch, and Mark Iosifescu.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver the past decade, artist Emma Kohlmann has harnessed the expressive possibilities of watercolor to develop an astonishing and intimate practice. In the resounding fluidity of her paintings, Kohlmann maps the lineaments and concavities of embodied moments with exquisite sensitivity, celebrating a sensuality freed from analysis and disabusing gender and the human body of their exhausted mythologies. Containing hundreds of selections from 2011 to 2021, during which Kohlmann crafted countless works on paper using sumi-e ink washes and other techniques, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEmma Kohlmann: Watercolors\u003c\/span\u003e\u003cspan\u003e is a survey of an artist working intuitively to generate representative possibilities that are playfully otherworldly and resolutely, thrillingly free.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":42178948202544,"sku":null,"price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504251459_27.png?v=1754780670"},{"product_id":"supreme","title":"Supreme","description":"\u003cp\u003e\u003cspan\u003eOver the past 25 years, Supreme has transformed itself from a downtown New York skate shop into an iconic global brand. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSupreme—\u003c\/span\u003e\u003cspan\u003ethe book—looks back on more than two decades of the creations, stories, and convention-defying attitude that are uniquely Supreme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing more than 800 stunning images, from photographers such as Larry Clark, Ari Marcopoulos, and David Sims, readers will have unparallled access to behind-the-scenes content, including the company’s highly limited products—everything from t-shirts to bicycles—and collaborations—Nan Goldin, Comme de Garçons, and Nike, to name a few. The book also features a curated section of lookbooks and an index of T-shirts released since Supreme's Spring\/Summer 2010 collections. And, with written contributions by pop-culture critic Carlo McCormick and film director Harmony Korine, readers will get exclusive insight into\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSupreme’s core ethos from two lifelong devotees.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKnown as much for its irreverent and iconoclastic spirit as it is for its commitment to design and quality, Supreme’s products have become as recognizable and coveted as those from the world’s top luxury brands—this book is no exception. Beautifully produced, the book is the epitome of Supreme’s dedication to quality and design, including a reversible jacket with the signature red Supreme logo.\u003c\/span\u003e\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":42178963472432,"sku":null,"price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/2025042707489.png?v=1754774894"},{"product_id":"acts-of-creation-on-art-and-motherhood","title":"Acts of Creation: On Art and Motherhood","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eExploring maternity through the work of artists from prehistory to the present day, \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eActs of Creation\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eaddresses the abiding mother-shaped hole in art history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLong taboo, lived experience of motherhood―and all that accompanies it―has become the subject of urgent discussions within the art world. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eActs of Creation: On Art and Motherhood\u003c\/span\u003e\u003cspan\u003e proposes the artist mother as an important cultural figure, though one long overlooked. Modern and contemporary artists such as Berthe Morisot, Barbara Hepworth, Jenny Saville, Paula Modersohn-Becker, Betye Saar, Suzanne Valadon, Louise Bourgeois, Carrie Mae Weems, and many others, address motherhood as a creative enterprise, albeit one tempered variously by ambivalence, exhaustion, and grief. Renowned author and critic Hettie Judah also addresses the conventions and expectations of motherhood through the lens of queer theory, environmental anxiety, and alternative family models. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eActs of Creation\u003c\/span\u003e\u003cspan\u003e reflects on the work of a new generation of artists examining the meaning of maternity and the ongoing struggles surrounding reproductive rights. From ancient goddess artifacts to contemporary interpretations of pregnancy in popular culture, this captivating, accessible, and well-illustrated narrative challenges perceptions and illuminates the complexities of motherhood in our ever-changing world. 150 color illustrations\u003c\/span\u003e\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":42178975662128,"sku":null,"price":39.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504251459_26.png?v=1754780408"},{"product_id":"virgil-abloh-nike-icons","title":"Virgil Abloh. Nike. ICONS","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn 2016, sportswear manufacturer \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eNike \u003c\/span\u003e\u003cspan\u003eand fashion designer\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e Virgil Abloh joined forces\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eto create a sneaker collection \u003c\/span\u003e\u003cspan\u003ecelebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eAir Jordan 1\u003c\/span\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e Air Max 90\u003c\/span\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e Air Force 1\u003c\/span\u003e\u003cspan\u003e, and\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e Air Presto\u003c\/span\u003e\u003cspan\u003e, among others—they reinvigorated sneaker culture.\u003cbr\u003e\u003cbr\u003eVirgil Abloh’s designs offer \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003edeep insights into engineering ingenuity\u003c\/span\u003e\u003cspan\u003e and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eartistic assemblage\u003c\/span\u003e\u003cspan\u003e, making \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eeach shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eICONS\u003c\/span\u003e\u003cspan\u003e traces Abloh’s investigative, creative process through documentation of the \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eprototypes\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eoriginal text messages \u003c\/span\u003e\u003cspan\u003efrom Abloh to Nike designers, and \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003etreasures from the Nike archives\u003c\/span\u003e\u003cspan\u003e. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003elook behind the scenes\u003c\/span\u003e\u003cspan\u003e and witness Abloh’s DIY approach, which gave each model in the \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eOff-WhiteTM c\/o Nike collection\u003c\/span\u003e\u003cspan\u003e its own unique touch. His deconstructive vocabulary is reflected in the \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eSwiss binding, which showcases an open spine\u003c\/span\u003e\u003cspan\u003e and discloses the production of the book.\u003cbr\u003e\u003cbr\u003eThe book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eLondon-based design studio Zak Group\u003c\/span\u003e\u003cspan\u003e. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003evisual culture of sneakers\u003c\/span\u003e\u003cspan\u003e while a lexicon in the second part defines the \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003ekey people, places, objects, ideas, materials, and scenes from which the project grew\u003c\/span\u003e\u003cspan\u003e. Texts by Nike’s \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eNicholas Schonberger\u003c\/span\u003e\u003cspan\u003e, writer \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eTroy Patterson\u003c\/span\u003e\u003cspan\u003e, curator and historian \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eGlenn Adamson\u003c\/span\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eVirgil Abloh\u003c\/span\u003e\u003cspan\u003e himself frame the collaborative work within fashion and design history. A foreword by \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eHiroshi Fujiwara\u003c\/span\u003e\u003cspan\u003e places the project within the historical continuum of Nike collaborators.\u003c\/span\u003e\u003c\/p\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":42178981888048,"sku":null,"price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202508091728999.png?v=1754774462"},{"product_id":"the-responsible-object-a-history-of-design-ideology-for-the-future","title":"The Responsible Object: A History of Design Ideology for the Future","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eA selected history of socially committed design strategies within the Western tradition, from the past 150 years\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin the design discipline, calls for sustainability and social responsibility have become some of the most common rallying cries of the past decade, generating countless new products, materials and technologies―all designed to change the course of our future. Adjectives like “sustainable,” “green” and “eco” describe this new wave of socially committed design. But though today’s conditions are urgent and particular, the ideologies behind these new products are often not totally new, but rather a part of design history. Contemporary sustainable design is just the newest chapter of a story that stretches back throughout the previous centuries. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Responsible Object\u003c\/span\u003e\u003cspan\u003e presents a selected history of socially committed design strategies within the Western design tradition of roughly the last 150 years, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. 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We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of “upgrading” oneself―dieting to achieve the perfect body, transforming your talents into a successful business, finding bliss by meeting a new love―may therefore be seen as new forms of creativity, or self-design.\u003cbr\u003e\u003cbr\u003eIn \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eHelp Your Self!\u003c\/span\u003e\u003cspan\u003e Dutch designer and director Mieke Gerritzen provides an inspirational guide for designing your ideal self, and shows you how to get started, while also scrutinizing the self-help industry with wit and intelligence.\u003c\/span\u003e\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42178993881136,"sku":null,"price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/20250615100123.png?v=1754774315"},{"product_id":"extra-bold-a-feminist-inclusive-anti-racist-nonbinary-field-guide-for-graphic-designers","title":"Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"a-text-bold\"\u003e“This work empowers readers with theory, historical precedent, and practical information while encouraging everyone to ‘amplify other voices and disrupt patterns of inequity.’ Don’t pass on this singular resource.” —\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eLibrary Journal\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e Starred Review\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eExtra Bold\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e is the inclusive, practical, and informative (design) career guide for everyone!\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003ePart textbook, part comic book, zine, manifesto, survival guide, and self-help manual, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eExtra Bold\u003c\/span\u003e\u003cspan\u003e is filled with stories and ideas that don't show up in other career books or design overviews. Both pragmatic and inquisitive, the book explores power structures in the workplace and how to navigate them. \u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eInterviews showcase people at different stages of their careers. \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eBiographical sketches explore individuals marginalized by sexism, racism, and ableism. \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePractical guides cover everything from starting out to wage gaps, coming out at work, cover letters, mentoring, and more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eWritten collaboratively by design luminary Ellen Lupton (\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThinking with Type\u003c\/span\u003e\u003cspan\u003e) and a diverse team of designers coming to the profession from a range of backgrounds: Farah Kafei, Jennifer Tobias, Josh A. 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Published in both German and English, the book includes an interview and rich selection of images drawn from the works of the eleven artistic in the show. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eWith essays by curators Yina Jiménez Suriel and Pablo Guardiola, as well as Marta Aponte Alsina and Rita Indiana, plus interviews with each of the featured artists, it illustrates how notions of cultural emancipation and the long shadow of colonial rule are being interpreted by regional and diasporic artists working today.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA foreword by Kulturstiftung Basel H. Geiger director Raphael Suter and an introduction by Caribbean Art Initiative director Albertine Kopp, the book explores the connection between Basel and the Caribbean, inspired by the curatorial approach proposed by Yina Jiménez Suriel and Pablo Guardiola. Featured artists: Ramón Miranda Beltrán, Minia Biabiany, Christopher Cozier, Sharelly Emanuelson, Nelson Fory Ferreira, Tessa Mars, Elisa Bergel Melo, José Morbán, Tony Cruz Pabón, Madeline Jiménez Santil, and Guy Régis Jr.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hatje Cantz","offers":[{"title":"Default Title","offer_id":42179009183792,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504011721_383.png?v=1776796316"},{"product_id":"emerging-ecologies","title":"Emerging Ecologies","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eHow architects and designers helped define America’s ecological movement in the 1960s―featuring Ant Farm, Buckminster Fuller, John C. Lilly and many more\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the 1960s, as Western notions of endless progress and growth gave way to concerns over industrial pollution, resource depletion and ecological limits, attitudes toward the environment became social, political and ideological. Published to accompany the first expansive survey of the history of environmental thinking in architecture, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEmerging Ecologies: Architecture and the Rise of Environmentalism\u003c\/span\u003e\u003cspan\u003e looks at the role architects have played in defining our understanding of \"nature\" and the \"environment,\" specifically during the rise of environmental discourse. The richly illustrated publication presents over 45 architectural contributions―from Eleanor Raymond and Mária Telkes’ groundbreaking work on solar houses to Buckminster Fuller’s world resource management system and the environmental symbolism of Emilio Ambasz―to explore the role designers played in both promoting ecological concerns and in outlining the very terms of this nascent field. Through an introductory essay by curator Carson Chan and brief texts on each of the featured projects, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEmerging Ecologies\u003c\/span\u003e\u003cspan\u003e documents the proximity between ecology, design and statecraft, allowing readers to take stock of historic milestones as architecture confronts today’s climate emergencies.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eIncludes projects by\u003c\/span\u003e\u003cspan\u003e: Emilio Ambasz, Ant Farm, Phyllis Birkby, Cambridge Seven Associates, the Cosanti Foundation, Carolyn Dry, the Eames Office, Environmental Communications, Howard T. Fisher, R. Buckminster Fuller, Anna and Lawrence Halprin, Wolf Hilbertz, Ralph Knowles, John C. Lilly, Ian McHarg, Synergetics Inc, NASA, the New Alchemy Institute, Aladar and Victor Olgyay, Gaetano Pesce, Eleanor Raymond and Mária Telkes, Michael Reynolds, SITE, Glen Small, Eugene Tssui, O.M. 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To gain insight into the history of how folk practices have been lost and technical processes found, anthropologist and textile artist Lauren MacDonald explores a practice that is both ancient and wholly modern: coloring cloth. The pursuit of color has long spurred economic and social contest, and through this deeply researched volume we explore the stories that the materials used to dye cloth tell us about our complex relationship to nature, our troubling ideas about progress and our understanding of power and labor.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eIn Pursuit of Color\u003c\/span\u003e\u003cspan\u003e brings together historic techniques, archive photography, specimens and present-day events to tell the histories of some of the world’s most important dyestuffs. A 32-page supplement accompanies the volume, detailing practical applications and the chemistry behind dyeing processes. The book comes in three different covers (red, yellow and blue) which are shipped randomly as a further happy surprise\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Atelier Éditions","offers":[{"title":"Default Title","offer_id":42189627785264,"sku":null,"price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202505171823.jpg?v=1754182050"},{"product_id":"how-to-live-with-objects-a-guide-to-more-meaningful-interiors","title":"How to Live with Objects: A Guide to More Meaningful Interiors","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the modern home, it matters less whether your interior is perfectly appointed and more if it’s authentically personal, unique, and filled with the objects you feel a connection to. Through inspiring home tours and practical advice on how and what to collect, \u003c\/span\u003e\u003cem\u003eSight Unseen\u003c\/em\u003e\u003cspan\u003e editors Monica Khemsurov and Jill Singer take you on an educational and highly visual journey through the questions at the core of their design philosophy:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e• What makes an object worth having?\u003cbr\u003e• How do our objects impact our lives?\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKhemsurov and Singer guide collectors, design lovers, and novices alike toward a more intentional and skilled mindset in acquiring and living with objects. The book acts as a detailed primer on how to maximize the visual and emotional impact of your space, regardless of your  space limitations, style preferences, or budget. From a deep dive into the world of vintage-hunting to anecdotes about favorite objects from creatives like Misha Kahn and Lykke Li to expert styling tips, \u003c\/span\u003e\u003cem\u003eHow to Live with Objects\u003c\/em\u003e\u003cspan\u003e is an indispensable tool for anyone who wants to make their house a home.\u003c\/span\u003e\u003c\/p\u003e","brand":"Clarkson Potter","offers":[{"title":"Default Title","offer_id":42191372517424,"sku":null,"price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/3898\/7312\/files\/202504251459_25.png?v=1754780093"},{"product_id":"piet-mondrian-a-z","title":"Piet Mondrian: A–Z","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eAn affordable illustrated guide to the key terms and concepts of Mondrian’s diverse oeuvre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGerman art historian and curator Ulf Küster entertainingly leads readers through well-known and lesser-known aspects of the life and work of Piet Mondrian (1872–1944).\u003cbr\u003ePivotal to modern art’s move toward abstraction, Mondrian’s oeuvre is extraordinarily versatile and complex. 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